Let's start with a simple observation: Leonardo Da Vinci was a friggin' genius. No holds barred. Utterly, entirely, friggin' genius.
In concert with his observations of nature, this philosophy enabled da
Vinci to make broad intellectual leaps that are refreshing to
contemplate today. Having studied rivers and currents, for instance, he
then applied that research to his study of how the blood flowed through
the heart. He deduced that blood would flow through valves and create
vortexes, which would then cause the valves to shut. The exhibit
compares his drawings of the process with modern MRI scans—which
confirmed that his age-old theory was correct.
If I had a plane (and a long runway), I'd be jetting toward London wirelessly posting a few paragraphs about how cool Da Vinci is. And never mind Dan Brown. He's a fop.
Instead, I'd be bracing myself for the four-stage exhibition at London's Victoria and Albert Museum. "Leonardo da Vinci: Experience, Experiment and Design" opens on September 14. (Which means I'd be two weeks early, so perhaps instead of flying I should take the newly refurbished Queen Elizabeth 2.) Newsweek International's Rethinking Leonardo Da Vinci provides a solid snapshot of the exhibition.
Through rarely seen manuscripts and drawings, large-scale models of his designs and computer animations, the exhibit
illuminates da Vinci's bold, wide-ranging thought process. "Like Shakespeare or Newton, like all great figures, he remains perpetually surprising," says da Vinci scholar Martin Kemp, the exhibit's curator. "You look at those drawings in the original, and they are spine-tingling."
Split into four sections, the exhibit opens with "The Mind's Eye," an exploration of da Vinci's work on the connection between the eye and the brain, and his detailed studies of the proportional relationships between the parts of the face, torso and limbs...
...While the London show reveals much about da Vinci's beautiful mind, it certainly doesn't close the book on his story. A handful of other
exhibits about the inspired Italian will do their best to continue the debate. "Leonardo: The Madonna With the Carnation," which opens in Munich on Sept. 14 as well, will focus on da Vinci's touching painting of the same name, in which he reinvented the traditional representation. A Milan exhibit opening in November, "The Treatise on Painting: Manuscripts and Editions Between the 16th and 19th Century," will highlight the influence of da Vinci's notes and art on later painters. Beginning last month in Oxford, the Museum of the History of
Science, Christ Church Picture Gallery, the Ashmolean Museum, Magdalen College and the University Botanic Garden will each present separate exhibitions exploring different aspects of da Vinci's legacy, ranging from mathematics and botany to art.
"The good painter has to paint two principal things. Man and the intentionality of his mind," wrote Da Vinci in his "Treatise on Painting." "The first is easy and the second difficult." Judging by this latest round of insightful exhibits, even the latter may be getting easier for those curious about one of the Renaissance world's most fascinating figures.
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